Engaging Modernity 101 :: Essays Papers

Engaging Modernity 101Lets work at the very beginning, which is a very good place to start, which for Eliot is his fetch up and for Ashbery is his fading, for Jameson the bar began when he wouldnt stop pontificating on being, for Harvey the beginning and the end circulate around his architectural trends and socio-economic theories that keep him grounded but far from living. railleryThree men (yes, no women) walk into a bar. The first serviceman calls himself DJ T.S. he spins at local, Wednesday night religious gatherings. You might hold up around of his rhythmic trance beats, ones called The Four Qs, true recent, yah know? He gets real philosophical, If all time is eternally present, yo exclusively time is unredeemable, yo yo daddy or how about the line, human kind Cannot allow very much reality, so lets MOVE IT ON Hes authentically known for that last one. DJ T.S. sits at the counter, checking out the ldies, asks for a whiskey. A second man walks into the bar, named rummy J. He wears all black, and his t-shirt reads, Ontologize This Nobody knows who he is he nevertheless sits by himself for a while, writes in a little journal, and orders a exceedingly commercialized and overpriced Guinness. The bartender, named Benjamin, says that Singular J. has an aura about him that seems contrived. The inevitable tercet man gallivants into the bar, orders a Cosmopolitan, doesnt give his name, says hes a doctor who tries to cure that pestering Condition of Postmodernity. After a fewer Cosmos, this doctor pulls out his Power Point presentation and tries to illustrate the modern and the postmodern with graphs and charts. DJ T.S. is thoroughly bored and wants to groove on some of his own brilliant tunes. He begins to rap over the doctors clinical jargon, Whsper of runing streams, and winter light-ning. The wild thyme ta-time unseen and the wild straw-ber-ry, The joke in the garden, echohohoed ecstasy Not lost, but Requiring, poinTing to the Agony of death and birth. The ladies die he pirouettes out the door.Now, Singular J. is left with the doc. Since the DJ is gone, they can really get down to business. Time is money. Lets talk fast, the publishers atomic number 18 waiting. Singular J. complains about the docs Power Point. He unplugs the ready reckoner and tells him that we very much need to continue the project of an ontology of the present, while abandoning the sterile attempts to reinvent a discourse of modernity.