Learning Activity Essay Example for Free

Learning Activity Essay Today by contemplating the corporate world we can realize that change is so very necessary for firms if they want to prosper. The market is changing so rapidly and technological advancement has created such hype that firms need to evolve from time to time. Researchers say that nowadays firms do not need to bring changes to get an edge over rival firms, but to survive. This itself defines the importance of change. However, just planning change is not important; smart execution is even more important. It includes the way management communicates the change, the way it handles employees’ reaction, the way it manages resistance to change, the way it deals with the after effects of it, and etcetera. These are very important issues that senior management focuses on. The following paragraphs will deal with two of these core issues, namely communicating change and managing change (Ian, Richard and Gib, 2009). Being the resort manager of Baderman Island, I will be very careful in rolling out this information to my employees as communicating the fact that they will be fired if customers continuously complain is a very sensitive issue. Firstly, I will try to explain them the problem, i.e., dissatisfaction of customers and then will discuss the reasons associated with it as put forward by customers. After this will ask for suggestions from them as I want them to feel that they are valued, which is sometimes known as underscore and explore strategy. Then company’s new policy will be disclosed smartly and the desired outcomes will also be floored. When communicating sensitive information like this, firms should give reasons behind the changes made and policies designed as employees have a right to know all about it. It should also be explained that how it will affect the organization and how important it is. If these things are taken care of then there is very less chance of resistance and negative reaction. Moreover, managing resistance to change is again a very important issue. If any resistance occurs concerning the changes in policies brought by Baderman Island’s management I will take care of it very carefully. Again I will use a democratic approach by getting involved in a dialogue with employees who resist. I will try to explain them what they mean to the firm and why has the firm decided to introduce this policy of firing employees due to bad performance. In addition to this, I will also explain the outcome of this policy and the positive effects it will have on the reputation of this firm. Sensible and potential employees will understand and for those who do not, I will use my authority to deal with them the harsh way. Furthermore, I will also help and facilitate employees who are worried about their job security by explaining them ways to satisfy customers and to improve their over all performance. In this way I will manage any resistance to the change. Reference: Palmer, Dunford and Akin (2009). Managing Organizational Change, McGraw Hill Publishers.

Raise In Red Lantern :: essays research papers

In  ¡Ã‚ §Raise the Red Lantern ¡Ã‚ ¨, the symbolic implications of the ancestral altar in the central reception hall go beyond the family walls, because it displays the portraits of all the powerful officals in the Chen family, thus suggesting the entire patriarchal tradition and its political power.  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  In  ¡Ã‚ §Raise the Red Lantern ¡Ã‚ ¨, the red lantern, an invented icon here (and one accused of being a fake cultural signifier used merely for sensational purposes), is the film ¡Ã‚ ¦s central symbol and most important metaphor. The colour red is a symbol of sexuality and eroticism, but no longer of passion. More importantly, it turns out to be associated with patriarchal and political power. To get the lantern lit refers to the victory of one woman over all the others, but at the same time it still represents failure for all the women because the woman who gains the lit lantern must be totally exposed, under the red light, before the gaze and under the control of the man. The color red here remains a symbol of blood and death, as in the death scenes of both the servant Yan ¡Ã‚ ¦er and the third wife, who dared to disobey the rules.   Ã‚  Ã‚  Ã‚  Ã‚  The sound of the foot massages in Raise the Red Lantern echoes very well the rhythm of tension, obsession, and desire in the daily life of Chen ¡Ã‚ ¦s household. It seems to be the only promising and stimulating sound for the wives in that deadly quiet mansion. Moreover, this sound is often parallel to, or mixed with that of the footsteps of the master when he approaches the selected wife ¡Ã‚ ¦s room. This sound, then, creates a temporary illusion for the woman, who thinks she is going to win the man.

Chinese Cinderella Essay

The most persuasive and intriguing aspect of an author’s stylistic choices are within the schemes, tropes, diction and syntax. Adeline Yen Mah, author of Chinese Cinderella, paints an authentic picture of her childhood in twentieth-century China; Mah’s childhood, fraught with painful memories and bad luck, accentuates her strength and courage and ultimate triumph over despair. Mah’s stylistic choices and appeal to pathos aggrandizes the overall effectiveness of her book, Chinese Cinderella. A worldwide bestseller that has been translated into eighteen different languages, Chinese Cinderella has a wide, varied audience. The style and effectiveness are heavily dependent on the writer’s diction; Mah carefully chooses words that convey the quiet tragicness of her situation and the cultural aspect. One of the most predominant aspect of the Chinese culture is the names- Mah could write about her grandmother, grandmother and stepmother, but instead chose instead to write about her Ye Ye, Nai Nai and Niang. Choosing to write using the Chinese words creates a compelling, permeating story: â€Å"Besides Father and Niang, we lived without Grandfather Ye Ye, Grandmother Nai Nai and Aunt Baba in a big house in the French concession of Tianjin, a port city on the northeast coast of China† (Mah 5). Removing the names disturbs the authenticity of the piece and upsets the overall meaning; so much of the story is derived from the culture and time period. Culture is a significant element in the writing, but Adeline Yen Mah’s personal experience is the most essential aspect. Mah begins as a young Chinese girl growing up in Shanghai. Mah utilizes syntax to convey the juvenile tone; simply constructed sentences create a childish perspective while maintaining an intelligent insight: â€Å"Next day, there was a grand funeral. Nai Nai’s coffin was draped with white sheets and placed on a hearse pulled by four men. We all dressed in white robes with white headbands for the boys and white ribbons for the girls† (Mah 20). While describing scenes and occasions so simply may seem less interesting, the simple, clean sentences actually paint a clear image in one’s mind. The strong, clean sentences keep the story from seeming too pitiful- Mah does not need verbiage to write well. If excessively descriptive, long sentences are employed the effectiveness of the writing would decrease, â€Å"Later, I saw Big Sister and Niang walking toward the balcony and talking privately just before she and Samuel left for their honeymoon. Was she able to explain it all away? I hoped so. I only wished I could have helped her more† (Mah 89). Straightforward observations create an innocent perspective. Verbiage would hinder her child-like persona- if she writes to sound like the settled, distinguished writer and doctor she is, her novel, in which she is a young Chinese girl, would be considerably less qualified. Through the syntax and diction, Mah appeals to her most compelling appeal, emotion. Her story is tragic- an unloved daughter, Mah suffers cosmic misfortune after cosmic misfortune. Syntax provides the youthful insight, diction provides the cultural aspect, and Mah’s life provides the emotionally evocative story, â€Å"Though a fascinating variation on the classic Cinderella story, with a monstrously hateful villain and a smart, plucky heroine, the book is also rife with simplistic caricatures and shallow melodrama. Yet the daily contempt Yen Mah encountered as a child often touches the heart† (Cruz). Mah eloquently details the tragic events of her past, and as a result, appeals to pathos strongly throughout the entire book. Mah’s stylistic choices and appeal to pathos aggrandizes the overall effectiveness of her book, Chinese Cinderella. The appeal to pathos is the greatest weapon in Mah’s arsenal, and she uses diction and syntax as her bullets. Strong, simple sentences and poignant, culturally related diction â€Å"Verges on soap-opera theatrics, Yen Mah remains true to her sympathetic nature† (Cruz). The elegance and skill of Mah are evident in her writing.

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